The object which will be studied in this dissertation is mountains-and-waters painting and the west landscape painting.
本文选择中国山水画和西方风景画作为研究对象，所得出的结论是：在风景画中营造“意境”，这里的“意境”主要指历来的中国山水画所表现出来的“意境”。
参考来源 - 在风景画中营造意境The aesthetic thoughts on mountains-and-waters painting handed down from the Six Dynasties is mainly reflected in Zong Bing’s Preface to Mountains-and-waters Painting and Wang Wei’s On Painting.
佛学是考察六朝山水绘画美学时不可忽视的重要因素。
参考来源 - 佛学与六朝山水绘画美学的兴起The aesthetic thoughts on mountains-and-waters painting handed down from the Six Dynasties is mainly reflected in Zong Bing’s Preface to Mountains-and-waters Painting and Wang Wei’s On Painting.
佛学是考察六朝山水绘画美学时不可忽视的重要因素。
参考来源 - 佛学与六朝山水绘画美学的兴起·2,447,543篇论文数据，部分数据来源于NoteExpress
The aesthetic thoughts on mountains-and-waters painting handed down from the Six Dynasties is mainly reflected in Zong Bing's Preface to mountains-and-waters painting and Wang Wei's on painting.
六朝流传至今的山水绘画美学主要见诸晋末宋初宗炳的《画山水序》和王微的《叙画》。
The mountains, trees, characters and imperial carrigae in the picture are vivid and delicate, showing the characteristic of the mountain-and-waters painting of the Tang dynasty.
在构图上较多保留早期全景人物故事穿插其间的山水画特征，反映出盛唐时代青绿山水的风格。
Chinese painting has long been noted for its mountains and waters, while"far"is the critical factor helping it get such on illustrus position.
中国画素来以山水居首，“远”是构成山水画有如此显赫地位的重要因素。
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